The Milanese quartet, composed of Antonio Bonazzo on piano, Francesco Chiapperini on clarinet and bass clarinet, Cristiano Da Ros on double bass, and Fabrizio Carriero on drums and percussion, has released their highly anticipated third album, showcasing their artistic depth and innovation.

The album follows their successful tribute to Claude Debussy with "I bemolli sono blu" and ventures into ancient music, specifically the rich heritage of Gregorian chant. While the album's titles and cover art explicitly reference these historical influences, it is important to note that this is not a conventional sacred music album. The quartet skillfully combines reverence for tradition with contemporary artistic expression, creating a captivating and thought-provoking work.

The music immediately captivates with its understated elegance and intricate interplay between the instruments. Antonio Bonazzo's piano weaves delicate melodies, complemented by Francesco Chiapperini's expressive clarinet and bass clarinet. Cristiano Da Ros's double bass provides a solid foundation, while Fabrizio Carriero's drums and percussion add rhythmic complexity and texture. Throughout the album, the quartet demonstrates their mastery of polyphonic structures, creating a rich tapestry of harmonies and emotions.

One notable track is "Dies Irae," which pays homage to the solemn funeral liturgy of the 13th century. While the underlying theme remains recognizable in the slow bass lines, the quartet introduces accelerated patterns and modern rhythms, infusing the composition with a contemporary twist. This fusion of ancient and modern elements creates a captivating and dynamic sound.

Another standout track is "Ut Queant Laxis," inspired by a liturgical hymn from the era of Guido D'Arezzo. The clarinet's evocative melodies evoke the spirit of a vocal soloist, imbuing the composition with a serene spirituality. The piano and bass add a touch of jazz-infused stylings, further emphasizing the quartet's commitment to originality and artistic exploration.

Throughout the album, the quartet strikes a delicate balance between honoring their historical influences and carving their own musical path. Their compositions remain deeply rooted in the ancient chants, while incorporating contemporary elements, resulting in a unique and captivating sound.

To fully appreciate the album, attentive listening and further exploration are encouraged. The quartet's meticulous attention to detail and thoughtful approach to composition make for a rewarding and immersive listening experience. By delving into the historical and artistic context of their work, listeners can gain a deeper understanding and appreciation of the music's intricacies.

In conclusion, the Milanese quartet's third album is a testament to their artistic prowess and their ability to seamlessly merge tradition with innovation. Their exploration of ancient music, particularly Gregorian chant, has resulted in a captivating and thought-provoking collection of compositions. With their skillful musicianship and unique approach, the quartet has crafted an album that will resonate with listeners who appreciate both the beauty of the past and the creative energy of the present.